SHIBAYAMA
WORKS
Produced in 1994
It is organized like NFT.
Three of the early days of computers in 1994 and art in 1997.
Art from the early days of computers in 1994.
I'm finding this like an NFT right now. I am doing my best to gradually find and restore it.
Take Heinrich Schliemann below as an example. Bring the data such as Shade of 3D modeling to Live Picture this time. Photoshop is software that definitely fixes each pixel by calculation, but Live Picture is not calculation but sensitivity. With a tablet, you can thinly composite photos and loosen contours. For CG with many elements and complexity, it is effective to make up for the depth of field in the photograph and organize the points. The viewer stands in front of an ambiguous space, but because it is out of focus, each viewer's imagination grows. And they can keep their eyes on the line. The major work process is (1) composition without gaps in the elements (balance that cannot be moved by 1 mm), (2) fixing of the screen by using light and shadow, and (3) ambiguity.
First, convert all the previously rendered pictoimages to TIFF. With Live Picture, the converter also converts TIFF to IVUE files. When IVUE is completed, bring it to Live Picture. Here, first, the bag and the person created earlier are placed. Then lay out a cup or an Argamemnon mask in the space. That's why I draw shadows in the space, but with Live Picture it's like this. Take the cup below as an example.
First, place the layout in the lower left. Then fill the area around the cup with a solid color paint with the selection tool. At that time, keep the concentration below 50%. Next, if you apply this cup of mask to a single color paint, you can create a shadow template in the shape of the mask. Also, specify the second icon from the left of the cup part of the layer browser on the right of Live Picture with the mouse while holding down the option button, and then drag it to the mask of the single color layer earlier, the shadow part on the cup It will be in a state of being covered.
So move the shadow layer you just created under the cup. And if you move it to the lower right, it will look more like a shadow. And this time I will transform it. Pay attention to the overall layout and try to roughly layout. Build it once (like rendering in 3D), and then output it with a sublimation printer of about A3. I concentrated my nerves a lot. After a night for confirmation, the next day, I will fix it again and it will be completed.
Produced in 1994
Heinrich Schliemann
Before using a PC, I also drew tempera paintings. Many images of medieval Europe can be seen in Shibayama's works. Below is the story of the story of the ruins of Troy. Heinrich Julius Schliemann, a German excavator, could not forget the story of Troy that he had heard long ago, and eventually became convinced that it was not a myth but a real story. He set out to excavate it. He persuaded the diplomats of Western European powers stationed in Istanbul to issue permission for excavation again, and continued excavating the ruins, including the Trojan Horse. The picture below depicts the feelings he had at that time.
Picture taken 1995
Picture taken 1995
Published in Graphis 288. It was in 1995. Published in Graphis 288. 1995.
Produced in 1994
Pasteur
Produced in 1994
Da Vinci
Gutenberg
Produced in1994
Produced in 1994
All the cells in my body are sending signals to each other. Each of them seems to have a program to survive and manage each other, but some cells die as a result of competing for communication. But overall we can maintain a palace for the soul. And you can feel happiness, dreams and unhappiness. here we go! It's the Net era. From now on, let's dive into a world that no one knows, which is a connection between hearts! What a wonderful crystal of love that technology is! Humans sometimes drop the atomic bomb, but it is a life to think that it can overcome it.
January 30, 1996 Sunday Tuesday 14:01